MOVIE CRTICISM-My Precisely article to Zamaradi Mtetema

I respect Zamaradi Mtetema as a Renowned Tanzania Movie critic but, je zamaradi anafuata misingi ya ACADEMIC CRITICISM, anapochambua movie, sipendi kuwa  jugde, just read this article and you will come out with your own conclusion.

action, sio tu kuangalia camera, kuna mengi
zaidi kwa wasanii wetu

The word critic comes from Greek κριτικός (kritikós), "able to discern",^[3] which is a Greek derivation from the word κριτής (krités), meaning a person who offers reasoned judgment or analysis, value judgment, interpretation, or observation.^[4]

Academic criticism
It has been claimed^{[by whom?]} that journalist film critics should only be known as film reviewers, and that true film critics are those who take an academic approach to films. This work is more often known as film theory or film studies. These film critics try to come to understand why film works, how it works, what it means, and what effects it has on people. Rather than write for mass-market publications their articles are published in scholarly journals that tend to be affiliated with university presses; or sometimes in up-market magazines.

Hapa najaribu kueleza nini maana ya word critic, sio kwenye film tu, ila kwenye kila jambo, iwe uandishi, siasa, na hata masuala mengine ya jamii.

in film we dont only need this, we just need more, sio mapenz
i tu, japo hawa ni kati ya waigizaji wenye kiwango cha juu wanahita management nzuri kabla ya kuandaa filamu

A critic is anyone who expresses a value judgement. Informally, criticism is a common aspect of all human expression and need not necessarily imply skilled or accurate expressions of judgement. Critical judgements, good or bad, may be positive (in praise of an object of attention), negative (in dispraise), or balanced (weighing a combination of factors both for and against). Since all criticism must be regarded as having a purpose, a critic may also be definable by his or her specific motivation. At its simplest, and for whatever reason, a critic may have either constructive or destructive intent.

JACQUELINE WOLPER

Formally, the word is applied to persons who are publicly accepted in a recognised capacity, such as professional employment, graduation from a course of study, etc., to give critical commentaries in one or any of a number of specific fields of public or private achievement or endeavour. Such domains most commonly include the arts, performance and public service (such as catering) but may extend more widely to pronouncements on moral character, group behaviour, or any activity involving repute in public life, including war, broadcasting, academia, politics, science, etc. Critical judgements in this sense must always entail some degree of subjectivity and are themselves subject to critical analysis.
Particularly in the domains of the arts and culture, where judgements can be at their most subjective, a formally accepted critic can play a powerful role as a public arbiter of taste or opinion and can occasionally play a more or less defining role in cultural history. Also, because formal criticism is necessarily selective, the role of the formal critic generally intersects with issues of censorship and the construction or denial of canonical reputation in cultures. But criticism need not merely be perceived as a matter of building up or destroying reputations. Good peer-group criticism is an important part of developing or maintaining excellent standards of achievement in any art or discipline, whether at the level of apprenticeship or ongoing practise.

monalisa, ni mmoja kati ya waigizaji wazoefu,
 hapa nchini Tanzania, tuwatumie
 kuleta mapinduzi ya filamu